A (not so brief) Career History:

It all may have started when she skipped kindergarten... after school, Kwana accompanied her mother to dance classes, and entertained herelf (and the class!) to the instructor's dismay by singing nonsense songs and making funny faces. She soon followed in her mother's footsteps (pun intended!) and began studying dance.

 Kwana performed in school and local theatre productions in Cincinnati, and later in Philadelphia, Chicago and Cleveland.While an undergraduate at Vassar College, Kwana attended the prestigious British American Dramatic Academy in London for a semester,and was nominated for an Irene Ryan Acting Award for her role as the Storyteller in THE WHEEL.

 Kwana further honed her skills in graduate school at Harvard's Moscow Arts/American Repertory Theatre program where she appeared on the mainstage as a derranged figure from Parsifal in Susan Sontag's World Premeiere of ALICE IN BED, and as a corseted red haired Russian Knife Thrower in a stage adaptation of THE CABINET OF DR. CALIGARI. A first year performance led to the plum role of Helena in A MIDSUMMER NIGHT'S DREAM for the  Commonwealth Shakespeare Company. Kwana returned to CSC to play Juliet in ROMEO AND JULIET opposite Jason Butler Harner, and Miranda opposite Will Lyman's Prospero in THE TEMPEST.

After graduating from Harvard, Kwana booked numerous regional gigs, as well as working in NYC with  Mabou Mines' Ruth Maleczech and the critically acclaimed Target Margin Theatre

 Kwana then decided to try the West Coast, where she has had the chance to add to her "bag" of dialects, most notably East Indian  for AROUND THE WORLD IN 80 DAYS at The Colony Theatre; Japanese for VALIANT at the Greenway Court; and Vietnamese  for WALKIN' THRU THE FIRE at The Hayworth Theatre  starring opposite TRACERS'  playwright, John DiFusco. 

Kwana still  loves to "tread the boards" and appears regularly in commercials,  and on film and television.